Midas PRO X-CC-IP Digital Control Surface
Midas PRO X-CC-IP Digital Control Surface
The MIDAS PRO Series family moves up a gear with the PRO X control centre and the industry-changing NEUTRON Audio System Engine. Featuring 168 simultaneous input channels and 99 time-aligned and phase-coherent mix buses, the PRO X sets a new performance benchmark in high-profile live sound applications and is a truly impressive digital control surface for the engineer whose very livelihood depends on both unparalleled functionality and reliability. Like all PRO Series consoles, the PRO X features managed latency and 40 bit floating point processing precision. HyperMAC and AES50 audio networking technologies allow the PRO X to dynamically assign up to 288 inputs and 294 outputs at 96 kHz sampling rate to any of its input channels and bus outputs on a scene-by-scene basis. This high level of connectivity, coupled with the large channel and bus counts, makes the PRO X equally at home in theatres and symphony halls as it is in live concert touring, outside broadcast and music festivals.
Features:
- Live performance digital console control centre with up to 168 simultaneous inputs
- 99 time-aligned and phase-coherent mix buses
- HyperMAC and AES50 networking allows up to 288 inputs and 294 outputs @ 96 kHz Sample Rate
- HyperMAC router with 192 bidirectional channels over copper and optical fibre
- Provides dual redundant snake connection to the NEUTRON Audio System Engine
- Snake connections up to 500 m with optical fibre or 100 m with CAT5/5e cable
- 10 VCA (variable control association) and 8 POPulation groups
- Up to 36 assignable 1/3 octave Klark Teknik DN370 graphic equalisers
- Up to 24 simultaneous internal multi-channel effects
- 29 Midas PRO motorised 100 mm faders
- 2 daylight viewable 15″ full colour TFT display screens
- Fully interpolated touch sensitive controls
- Optional wireless remote control with Midas MIXTENDER App for iPad*
- Three bay auto-ranging universal switch-mode power supply with N+1 redundancy
- 10-Year Warranty Program*
- Designed and engineered in the U.K.
Specifications:
- System Specifications
- Sampling rate: 96kHz
- Latency delay: <2 ms (Input to Master output with no latency compensation)
- Dynamic range: 110 dB, 22 Hz to 22 kHz
- Maximum voltage gain:
- 80 dB, Inputs to Subgroups and Masters
- 86 dB, Inputs to Aux and Matrix
- Crosstalk: -100 dB physically adjacent input channels
- Fader/pan cut off: -100 dB
- Frequency Response: 0 dB to -1.0 dB, 20 Hz to 20 kHz
- Gain Error @ 1kHz: ±1.0 dB
- Input CMRR
- 0 dB gain: -80 dB
- +40 dB gain: -90 dB
- Distortion @ 0 dBu
- 0 dB gain: 0.01%
- +40 dB gain: 0.03%
- Distortion @ +20 dBu
- 0 dB gain: 0.03%
- +40 dB gain: 0.03%
- Noise Floor
- 0 dB gain: -89 dBu, 22 Hz to 22 kHz (unweighted)
- +40 dB gain: -87 dBu, 22 Hz to 22 kHz (unweighted)
- Equivalent Input Noise (EIN)
- 0 dB gain: -89 dBu, 22 Hz to 22 kHz (unweighted)
- +40 dB gain: -127 dBu, 22 Hz to 22 kHz (unweighted)
- Dynamic Range
- 0 dB gain: 110 dB, 22 Hz to 22 kHz (unweighted)
- +40 dB gain: 108 dB, 22 Hz to 22 kHz (unweighted)
- Analogue Audio System Inputs
- Mic/Line Inputs
- Talk Mic Input
- Talk Back Input
- Analogue Audio System Outputs
- Line Outputs
- Monitor Outputs
- Assignable Outputs
- Talk Output
- Headphone Output
- Digital Audio System Inputs and Outputs
- AES3 Inputs
- AES3 Outputs
- AES50 Audio
- Snake (Copper)
- Snake (Fibre)
- Ethernet Control Data
- Word Clock Input
- Word Clock Output
- AES3 Sync Input
- AES3 Sync Output
- Other Interfaces
- External Ethernet Tunnel
- Screen Outputs
- KVM Inputs
- USB Interface
- MIDI Interface
- Displays
- Physical
- Dimensions: 1365 mm wide x 940 mm deep x 434 mm high (53.7″ x 37.0″ x 17.1″)
- Net weight: 120 kg (264 lbs)
- Operating temperature range: +5°C to +40°C
- Storage temperature range: -20°C to +60°C
