Name: only sale 899.70 usd for RME Fireface UFX+ 188-Channel USB 3.0 or Thunderbolt Audio Interface
SKU: US-7284154269890
Price: 899.70 USD
Availability: InStock

RME Fireface UFX+ 188-Channel USB 3.0 or Thunderbolt Audio Interface Online Hot Sale

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RME Fireface UFX+ 188-Channel USB 3.0 or Thunderbolt Audio Interface

The Fireface UFX+ becomes the center of any multitrack studio because it is able to handle up to 94 channels I/O with ease. With unprecedented flexibility, compatibility, the inclusion of DURec (Direct USB Recording) and RME’s famous low latency hardware and driver designs, the Fireface UFX+ raises the bar to new heights. Packed with features not found on its older sibling, including MADI I/O (188 channels of I/O, 128 channels more than the Fireface UFX), a more powerful DSP, USB 3.0, Thunderbolt TM technology, and a new optional remote control firmly places the RME Fireface UFX+ as the new reference in multitrack recording, mixing and monitoring

Features:

Comprehensive MADI connectivity
In USB 2 mode, which is limited to 30 channels I/O (12 analog plus 16 ADAT plus AES), the MADI I/O is still available via RME’s TotalMix FX digital mixer
Wordclock I/O (BNC) can be switched to MADI I/O (coaxial), and a special split mode supports the use of both MADI I/Os simultaneously, with 32 channel each on optical and coaxial
DURec, available on the front of the interface, offers second generation hardware with improved USB functionality and compatibility, providing greater reliability even with slower or multi-partitioned USB thumb drives
The maximum number of recordable channels has been raised to 76, meaning all 12 analog inputs plus 64 MADI channels can be recorded simultaneously
An internal Realtime Clock (RTC) delivers time-stamped files
TotalMix provides unlimited routing and mixing to the interface, with the capability to create as many independent submixes as output channels are available, and includes a complete effects system
TotalMix FX for iPad (available separately) adds full control over the mixer and DSP effects

Specifications

Analog:
- AD, Line In 1-8, rear:
  - Resolution AD: 24 bit
  - Signal to Noise ratio (SNR): 113 dB RMS unweighted, 116 dBA
  - Frequency response @ 44.1 kHz, -0.1 dB: 5 Hz – 20.8 kHz
  - Frequency response @ 96 kHz, -0.5 dB: 3 Hz – 45.8 kHz
  - Frequency response @ 192 kHz, -1 dB: 2 Hz – 92 kHz
  - THD: < -110 dB, < 0.00032 %
  - THD+N: < -104 dB, < 0.00063 %
  - Channel separation: > 110 dB
  - Maximum input level: +19 dBu
  - Input: 6.3 mm TRS jack, electronically balanced
  - Input impedance: 8 kOhm unbalanced, 12 kOhm balanced
  - Input sensitivity switchable to Lo Gain, +4 dBu
  - Input level for 0 dBFS @ Lo Gain: +19 dBu
  - Input level for 0 dBFS @ +4 dBu: +13 dBu
  - Variable gain: 0 to +12 dB
  - Minimum level for 0 dBFS: +1 dBu, -1.2 dBV
- Microphone In 9-12, front – As AD, but:
  - Input: XLR, electronically balanced
  - Input impedance: 3.4 kOhm
  - Signal to Noise ratio (SNR): 115 dB RMS unweighted, 118 dBA
  - Gain range: 75 dB
  - Maximum input level, Gain 0 dB: +18 dBu
  - Maximum input level, Gain 75 dB: -57 dBu
  - CLIP LED: 0 dBFS • SIG LED: -60 dBFS
- Instrument In 9-12, front – As AD, but:
  - Input: 6.3 mm TS jack, unbalanced
  - Input impedance: 1 MOhm
  - Signal to Noise ratio (SNR): 114 dB RMS unweighted, 118 dBA
  - Gain range: 42 dB
  - Maximum input level, Gain 8 dB: +21 dBu
  - Maximum input level, Gain 50 dB: -21 dBu
- DA, Line Out 3-8, rear:
  - Resolution: 24 bit
  - Dynamic range (DR): 115 dB RMS unweighted, 118 dBA
  - Frequency response @ 44.1 kHz, -0.5 dB: 5 Hz – 20.8 kHz
  - Frequency response @ 96 kHz, -0.5 dB: 5 Hz – 45 kHz
  - Frequency response @ 192 kHz, -1 dB: 5 Hz – 89 kHz
  - THD: < -110 dB, < 0.00032 %
  - THD+N: < -104 dB, < 0.00063 %
  - Channel separation: > 110 dB
  - Maximum output level: +19 dBu
  - Output: 6.3 mm TRS jack, servo-balanced
  - Output impedance: 75 Ohm unbalanced, 150 Ohm balanced
  - Output level switchable Hi Gain, +4 dBu, -10 dBV
  - Output level at 0 dBFS @ Hi Gain: +19 dBu
  - Output level at 0 dBFS @ +4 dBu: +13 dBu
  - Output level at 0 dBFS @ -10 dBV: +2 dBV
- DA – Stereo Monitor Output XLR (1-2) – As DA, but:
  - Output: XLR, balanced
  - Output level switchable 24 dBu, Hi Gain, +4 dBu, -10 dBV
  - Output level at 0 dBFS @ 24 dBu: +24 dBu
  - Output level at 0 dBFS @ Hi Gain: +19 dBu
  - Output level at 0 dBFS @ +4 dBu: +13 dBu
  - Output level at 0 dBFS @ -10 dBV: +2 dBV
- DA – Stereo Monitor Output Phones (9-12) – As DA, but:
  - Output: 2 x 6.3 mm TRS stereo jack, unbalanced
  - Maximum output level at 0 dBFS, High: +19 dBu
  - Maximum output level at 0 dBFS, Low: +2 dBV
  - Output impedance: 2 Ohm
  - Max power per channel @ 32 Ohm load, 0.1% THD: 210 mW (2.6 Vrms, +10.5 dBu)

MAECENAS IACULIS

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ADIPISCING CONVALLIS BULUM

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RME Fireface UFX+ 188-Channel USB 3.0 or Thunderbolt Audio Interface Online Hot Sale